- EAN13
- 9782849757727
- ISBN
- 978-2-84975-772-7
- Éditeur
- Fage éditions
- Date de publication
- 19/04/2024
- Collection
- INSTITUT GIACOM (1)
- Nombre de pages
- 114
- Dimensions
- 23,6 x 17,1 x 1,4 cm
- Poids
- 464 g
- Langue
- anglais
- Fiches UNIMARC
- S'identifier
Giacometti / Sugimoto en scène staged
Hiroshi SUGIMOTO, Françoise COHEN, Cecilia BRASCHI
Fage éditions
Institut Giacom
Offres
-
24.00
« En 2013, le Museum of Modern Art de New York m’a chargé
de photographier son jardin de sculptures. Parmi ces nombreux chefs-d’œuvre, le premier à avoir attiré mon attention a été
une sculpture de Giacometti. Une œuvre filiforme, comme si
ce corps n’avait plus de chair, mais qui exprimait bien un mode d’être “extrême”. La sculpture de Giacometti avait déjà atteint ce que je voulais avec mon approche de la photographie.
Le nô parle des âmes mortes qui reviennent à la vie et deviennent visibles. En photographiant la sculpture de Giacometti, j’ai eu l’impression d’assister à un drame nô, car dans le nô le passé renaît au présent. »
“In 2013 the Museum of Modern Art in New York commissioned me to photograph their sculpture garden. Among the many famous pieces there, a Giacometti sculpture was the first to catch my eye. The form is extenuated – as if all the flesh had been scraped off a human body – while what remains successfully expresses the condition of being in extremis. This sculpture of Giacometti had already achieved what I set out to achieve with my own approach to photography.
Noh is about dead souls coming back to life and becoming visible. Photographing Giacometti gave me the sense of watching a Noh drama, because in Noh the past is reborn as the present.”
Octobre / October 2023 Hiroshi Sugimoto
“In 2013 the Museum of Modern Art in New York commissioned me to photograph their sculpture garden. Among the many famous pieces there, a Giacometti sculpture was the first to catch my eye. The form is extenuated – as if all the flesh had been scraped off a human body – while what remains successfully expresses the condition of being in extremis. This sculpture of Giacometti had already achieved what I set out to achieve with my own approach to photography.
Noh is about dead souls coming back to life and becoming visible. Photographing Giacometti gave me the sense of watching a Noh drama, because in Noh the past is reborn as the present.”
Octobre / October 2023 Hiroshi Sugimoto
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